Seeing Intermedia Everywhere

“Do you agree?” asked Margaret. “Do you think music is so different to pictures?”

“I—I should have thought so, kind of,” he said. 

“So should I. Now, my sister declares they’re just the same. We have great arguments over it. She says I’m dense; I say she’s sloppy.” Getting under way, she cried: “Now, doesn’t it seem absurd to you? What is the good of the Arts if they are interchangeable? What is the good of the ear if it tells you the same as the eye? Helen’s one aim is to translate tunes into the language of painting, and pictures into the language of music. It’s very ingenious, and she says several pretty things in the process, but what’s gained, I’d like to know? Oh, it’s all rubbish, radically false. If Monet’s really Debussy, and Debussy’s really Monet, neither gentleman is worth his salt—that’s my opinion.”

-- From Howards End by E.M. Forster, first published in 1910

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